OCULUS

Graywolf Press, forthcoming January 15, 2019

ISBN

978-1-55597-825-9

Format

Paperback

Publication Date

1/15/19

 

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In Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement, but as a migration through time and a reckoning with technology. The title poem follows a girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence speaks in the voice of international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.
 

 

Praise for Oculus

[B]oth scalpel and flood, poems of brooded, subtle syntax that build and accrue toward inevitable and stifling ferocity. Mao’s work reclaims for itself an acidic possibility.
— Ocean Vuong
Reading Oculus is like being given the gift of sight. . . . the possibility of being restored to who we could be, and who we could be next.
— Alexander Chee
A tour-de-force, a rousing ride.
— Marilyn Chin
I simply trust no other poet to confront and fracture notions of Empire more deftly—and with such élan—than Sally Wen Mao.
— Aimee Nezhukumatathil
Oculus is a stunning and mesmerizing journey. . . . and it is brilliant. Mao’s is a consistently inspiring and exciting voice.
— Morgan Parker